When I played Captain Petrovich in Eugene Onegin for British Youth Opera, movement coach Terry
John Bates tried and failed to make me look butch enough to be convincing.
‘Stand
in a strong position.
‘No.
‘No.
‘No.
‘No.
‘No.
‘Nearly…
‘No.
‘No.
‘No.
‘No.
‘Never
mind. But at the very least can you drop your habit of clutching at an imaginary string of pearls when things get dramatic? It's tantamount to being your female indicator gesture. You are a Cossack killing
machine stopping a brawl at Madame Larina's house, not the Dowager Duchess of Cobham hearing that her son Lord Jack has knocked up the tweeny maid again.'
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